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solely those of the hosts and their guests, and not
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Churchill said, those who failed to learn from history are
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condemned to repeat it. Kevin helen N believes that certainly
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applies to business. Welcome to Winning Business Radio here at
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W four cy Radio. That's W four cy dot com
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and now your host, Kevin helen N.
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Thanks everybody for joining us again today. I am Kevin
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Hallanan and welcome back to Winning Business TV and radio.
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We're on talk for tv dot com, streaming live W
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four cy dot com. We're also on Facebook and that's
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at Winning Business Radio, and of course we're available in
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podcasts after the live show on tons of platforms pretty
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much wherever you get your podcast content. We're there, YouTube, iHeartRadio, Spotify, Apple, etc.
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And the list goes on the mission of winning business
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radio and TV. As regular viewers and listeners know, is offerings,
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insights and advice to help people avoid the mistakes of others, right,
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and that's to learn best practices. Those are the how tos,
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the what toos, the what not tos, to be challenged,
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of course, and hopefully to be inspired by the successes
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of others. Those folks are consultants, They're coaches, they're advisors, authors,
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founders and owners, entrepreneurs, people with expertise. But you know,
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virtually every successful person that I've ever had a chance
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to talk to has had some form of failure in
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their lives and careers. So, as I say every week,
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while we all have to get our knee skinned once
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in a while, I'm driven to keep those scrapes from
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needing major surgery. Let's endeavor to learn from history so
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we don't repeat it. I've spent the better part of
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my career equipping businesses to grow from solopreneurs to small
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and medium sized companies all the way to the fortune fifty.
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I've seen some of those companies win into varying degrees
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I've seen some fail I've had the opportunity to rub
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elbows with some of the highest performing people around and
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with some probably should have found other professions. In my
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own businesses, I've had a lot of success, but some
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failures too. So I like to think I've learned a
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lot from those experiences, and therefore you're going to hear
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from me my opinions and insights. But and because Laura,
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anyone who knows me will tell you, I sometimes have
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a hard time being quiet. But more importantly, you're going
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to hear from experts, those consultants, those coaches, authors, advisors, founders, owners, entrepreneurs,
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And today is no exception. My guest today is Laura Souder,
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strategic brand consultant and founder of Agency Bell. Laura is
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a speaker, a seasoned brand expert, and educator with brand
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strategy and design. She supports entrepreneurs and longtime company founders
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alike to feel confident during their time of corporate transition,
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whether launching, merging, or creating a succession plan. She's consulted
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for multinational companies such as Fidelity, Biogen, and TGX, as
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well as many small and mid sized companies. At Agency Bell,
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Laura leads brand transformations by turning ideas into actionable strategies.
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With thirty years of experience in brand strategy and identity design,
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she specializes in helping established companies navigate transitions, whether they're
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facing M and A challenges, succession planning, or entering new markets.
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Her approach is defined by an ability to cut through
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complexity and deliver clear, effective strategies that drive results. Laura
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thrives in environments that require decisive action, helping brands move
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forward and achieve their goals. She excels it sorting through
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the noise to find the best path forward. She helps
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but he's identify opportunities and avoid pitfalls, ensuring that every
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move is aligned with long term success. She understands that
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every company and team is unique, and so she tailors
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her approach to bring out the best in every individual,
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creating cohesive, high performing teams that are greater than the
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sum of their parts. In addition to leading agency bell,
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Laura's an expert who facilitates branding and marketing conversations that
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resolve major business challenges. She's presented to and facilitated groups
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of all sizes and expertise levels, including boards of trustees.
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As a former board chair herself, Laura brings a particularly
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deep level of empathy and expertise to her work with boards.
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She holds a BS in Design from the University of
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Wisconsin Madison. She lives in Milton, Massachusetts with their fiance Mark.
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She has two kids, Margot who's twenty and Gwyneth who's
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twenty three, and is excited to have two future step kids,
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identical twins, Charlie and vv who are sixteen. Laura, Welcome
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to Winning Business Radio. Thanks for being here, so good
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to be here.
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Thank you.
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I hope I pronounced all the kids' names.
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You did, right, I say Vivi, but it's all okay.
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His name, her name is Vivian Vivian.
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So first, let's talk a little bit about the personal side.
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Tell us about Mark.
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Oh gosh, we've been together for six and a half years.
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I have been divorced twenty so I'm very excited to
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be on the path to marriage. Taking our time. Mark
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is a fractional COEO and we talk business all the time.
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That is one of our big connector points. He's actually
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next networks with me often and we you know, we
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go to different events together. So he and I are
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kind of a little power team, a little power couple
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in addition to being passionate parents and all the rest.
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That's awesome. Now tell us about the kids, your kids,
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and then your step kids or anywhere you want.
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Well, I have four daughters, well to to be. Gwynneth
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and Margo are mine, Charlie Vivi or his of course.
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Gwyneth is wrapping up her masters at Columbia, so she's
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smarty pants a year old, is finding her way. She
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just left her first year of college, but she is
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emerging into the workforce and learning about what that feels like.
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She just had her first day today as a receptionist
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at a law firm.
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Cool.
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And then the twins are juniors. They're working so hard.
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They're great students and college bound. Nice.
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Love to hear that. All right, So where did you
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grow up, La?
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I'm a Chicagoan. I'm a Midwesterner. I live on the
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East Coast and when I moved here, everyone gave Chicago
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a hard time, and I said, Hey, it's the stuff
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between the bread that makes the sandwich. So just laying
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off the.
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Show, listen. I think it had something to do with sports,
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but I could be off base there.
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But well, I am a Midwesterner. I went to college
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in the Midwest, and I grew up on the south
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side of Chicago, So I am an urban girl.
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Nice, nice, And what were your early interests?
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Actually, I went to a college prep private school. My
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mom was a professor, and I grew up in academia.
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But I was sort of the artsy FARTSI girl. And
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even though I was a good student, I just always
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loved the creative pursuits. And so in a senior year,
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we were given the opportunity to have what was called
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May Project but basically a young person's internship program, and
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we could do anything we wanted with our last month
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of high school. I chose to work in advertising, and
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I literally opened up the phone book back when that
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existed and went to the biggest print name in the
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phone book under advertising, called them, and they gave me
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an internship. It was J. Walter Thompson.
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And that was the epitome of a cold call right there.
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Yeah, that is that is the epitome of a cold call.
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Had no idea where what I was getting into. And
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when I strolled up to the address, of course, it
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was the John Hancock Building and They had sixteen floors
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in that building and had Oscar Meyer and other big accounts,
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and that was the start of my young career.
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Well, I was going to say, it seemed like you
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knew you wanted to be in design judging from your
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bachelor's degree.
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Yes, that was my passion. I wanted to be in design,
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but I also wanted to be more than a design er,
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so I did a dual degree in journalism and design,
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my goal being to be a magazine designer, which is
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what my first jobs in New York were.
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Yeah, I'm going to ask you about those what before
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I do?
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Though?
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Why'd you choose Wisconsin?
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I had done quite a bit of college touring Cornell
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in the East Coast, and when I came back from
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my big month long trip, my dad said, how about
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University Wisconsin. That's where he got his PhD. So I
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of course gave him a hard time being there urban
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girl that I was like, I don't want to be
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where the cows are. And of course when we drove
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up there, just me and my best friend, we fell
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in love with the campus and it really was the
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epitome of college.
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That's awesome. It sounds like a good experience for you.
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All right, so your first position was at Town and Country.
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Tell us about I like to ask questions that I
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think the audiences, the viewers and the listeners are going
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to want to know. So how did you get that
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first job? That was it a cold call? And the
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yellow pages? And then tell us about the job itself.
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So my my cold call was softened by I had
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a strategic college class. So I, as I mentioned, had
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put myself into the journalism school along with my design school,
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which was actually pretty difficult in such a big college
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like that. It was two different segments of the college.
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So my magazine class basically was I was the art
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director of this magazine and we had other you know
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students in different roles. So as in preparation for writing
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the article, which was my particular article was featuring redesigns
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of other magazines, I got to basically call the art
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director of Time magazine, the art director of GQ magazine,
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and all these other magazines. And I had all these
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basically you know, interviews, but I was interviewing them for
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their jobs. And so when I came to New York,
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I had these kind of relationships and made the rounds
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and obviously not everyone needed a designer, but I'd say,
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who do you know? Who do you know? I was
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young and prea that was very brave, much braver than
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I am now because I know too much. But long
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story short, I worked my way into town and country,
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which was almost one hundred and fifty years old, and
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I got to do some really amazing work with amazing photographers,
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other amazing desig I mean, really the cream of the cream.
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It was amazing.
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What would you say would be a key lesson learned
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or key takeaway from that first role.
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I was young and I was already a manager, and
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I think that kind of surprised me. I thought, well,
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young people need to do the grunt work. But this
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was right at the turning point of technology, and I
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grew up in technology. I was really the first level
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of people. So I knew how to do the production
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with the computers, and I knew how to, you know,
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really run and run the department if you will. And
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they saw that, and I was confident and really just
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stepped into some shoes. So folks that were in their forties,
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et cetera. Were under me, and I was running the
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department of how to actually produce the magazine, because that
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was really what I had studied.
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So what were the interactives, the interactions between those more
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seasoned folks and you, the young buck.
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I think initially surprised, just again because on principle, most
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folks tend to be older than their their underlings. But
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I was confident and kind and I wasn't snooty, so
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they respected me, and I did my job well and
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I allowed them to go home on time, so they
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really liked that. In the magazine world, that's not always
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the case.
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So you were a city kid, but you were still
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in a midwesterner, so I was kind. I could get
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the job done, but you did it nicely.
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Yes, I wore black, so I did the you know,
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the New York black yeah thing. But I was still
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a nice girl, nice all right.
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Then a editorial designer role, which well that was how
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s Beautiful magazine tell us a little bit about that one, so.
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That magazine focus.
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On I should have said this, I'm sorry to interrupt,
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focus on what you learned during that process.
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I had a terrible manager there, actually, and I think
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as a young person, I was still quite young. As
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a young person, I had not come across that and
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the art director of this magazine was very abusive verbally
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and inappropriate. I mean this is very early in the nineties,